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- Issue #28 - The Perfectly Pitched Blank Panther Movie.
- Issue #27 - Old Men Podcasting.
- Issue #26 - Free Comic Book Day 2017
- Issue #25 - The Animated Podcasters
- Issue #24 - Something Strange Is Going On
- Issue #23 - In A Cage With Our Exs!
- Issue #22 - Suicide Flawed
- Issue #21 - Age Of A-Podcast
- Issue #20: Free Comic Book Day 2016!
- Issue #19: The Podcast of Hell's Kitchen.
- Issue #18: Tawm vs Maico: Yawn of Justice.
- Issue #17: Deadpod - Maico With The Mouth.
- Issue #16: The Podcast Awakens.
- Issue #15: Welcome Back To The Podcast, Hope You Survive The Experience.
- Issue #14: Free Comic Book Day 2015
- Issue #13: Long Beach Comic Expo 2015
- Issue #12: Neal Before Adams
- Issue #11: The Bad, The Worse, And The Really Bad
- Issue #10: The Problem With Fans
- Issue #9: Long Beach Comic Expo
- Issue #8: The X Games
- Issue #7: Free Comic Book Day
- Issue #6: WonderCon Report
- Issue #5: Taking Off Our Tops
- Issue #4: The Not So New New 52
- Issue #3: Indie (Not Jones) Comics
- Issue #2: Going To The Movies
- Issue #1: And Now Marvel Now
When the majority of the team is in blue, the other ones are single solid colors also (red, orange) – coloring this was pretty easy.
I’ve always been a THOR fan since the mid to late 70’s. I was first introduced to him through the pages of Avengers (#159) and began picking up his solo series shortly after that, off and on (back then I wasn’t an avid comic book collector yet), but was soon drawn to Thor always. He represented two things for me; a magnificent hero with fantastic origins to Asgard; which right into the second thing, I was getting pretty involved in Dungeons & Dragons (2nd Edition) which had the Deities & Demigods book, which had an entire section dedicated to Norse Mythology, which soon became my obsession.
When it came to THOR comics, there were a ton of fantastic stories that were told in his pages; but none could compare to what Walter Simonson brought to the table. Walter really mixed the THOR mythos into the Marvel Comics – and introduced a brand new character named Beta Ray Bill which I was immediately drawn to.
Decided to color the B&W image of what would be his first appearance, him on the cover smashing the THOR logo.
And my coloring of it… With this, I did something new – using an additional layer to lighten the cape and leg where the hammer is striking in front of it, which I think added a great effect…
In a Twitter exchange, Fabian brought up how the new Winter Soldier series is pretty much a knock off of the Nomad series (the very same character Winter Soldier killed when Bucky came back from the dead, a brain washed Soviet Soldier) – Because apparently Bucky is going to be riding around on a motorcycle, totting a shotgun, and having a kid side kick… Okay, Nomad had a baby that he was taking care of… but all the other stuff? Pretty much right from the Nomad book. But, you think – that’s not such an uncommon theme! No, it’s not – if you exclude that both were also side kicks of Captain America.
Anyway, somewhere along that Twitter exchange, someone posted this, from Nomad #1 (the cover)…
I went ahead and saved it (if you have listed to our podcast, you know I am a huge Nomad fan)… and colored it this morning…
Very few people in this world don’t know who Stan Lee is.
Today, TMZ is reporting that Stan Lee has passed away, and confirmed by Kirk Schneck, an attorney for Stan Lee’s daughter.
Stan Lee, though he got his start in Timely Comics, would go on to become much bigger. He often voiced the openings of shows such as Spider-Man and His Amazing Friends in the early 80’s. But what truly made Stan Lee a house hold name, beyond those who collected comics, was his appearances in movies. He appeared in the Kevin Smith movie, Mallrats. But when Disney purchased Marvel Comics and started the Marvel Cinematic Universe (simply called the MCU to most), Stan Lee had a cameo appearance in every single one of them – and even made a cameo in the Deadpool movies, which at the time were owned by FOX Studios, as well as the Spider-Man movies, which are currently owned by Sony.
To speak of the legacy that Stan Lee was a part of, along with folks like Jack “The King” Kirby and Steve Ditko would be too long to list – but to give folks an idea – he had a hand in The Fantastic Four, Spider-Man, Black Panther, Doctor Strange, The Hulk, Iron Man, Thor, X-Men, and the list goes on and on.
These characters that Marvel created did something different than DC. While Superman and Batman lived in cities like Metropolis and Gotham; the characters at Marvel lived in real life cities, primarily New York City (where, at the time, Marvel was based).
This helped launch the popularity of these Marvel comic book characters; and Spider-Man would even go on to appear in newspaper strips and had a cartoon in the late 1960s. There have been countless Spider-Man cartoons since. There’s been several X-Men cartoons. Several Avengers cartoons. There is, of course, the movies. And even several characters, such as Daredevil appearing on Netflix specific shows.
To say that Stan Lee’s hand in the creation of these characters, along with those of Jack Kirby and Steve Ditko, had a massive impact – would somehow still be under stating the obvious.
Stan Lee got his start at Timely comics in 1939, with the help of his uncle (Robbie Solomon). Back then, Stan Lee did not have a heavy hand in much, in regards to creation. He was sent to ensure everyone had ink for their artistic duties and what not. But in 1941, he got a bit of a break by being a text filler in Captain America Comics #3, where he used the name Stan Lee (which he would go on to make his legal name, from Stanley Martin Lieber). He would become an editor at the age of 19, until 1972 where he took over as publisher.
In 1942, he served with the United States Army where his military classification was officially entitled as “playwright” – a title shared with only eight others.
In the 1950s, Timely Comics became Atlas Comics. Late into the 1950s, DC had managed to bring back the superhero genre; and Lee was appointed to do the same, by which time, Atlas Comics had now become Marvel Comics, and Lee did just that, created flawed heroes that drew the appear of many. The Fantastic Four was the first, created along side with Jack “The King” Kirby; and that’s when all the others came along after that. With the Avengers, Captain America, who initially appeared in Timely Comics was brought back, and explained to have been in suspended animation.
I will never be able to explain the impact these characters had on me. Avengers and Uncanny X-Men are what got me into comics a very long time ago. My collection is now into the thousands upon thousands of comics. They’ve helped me in my youth, they’ve given me endless memories.
Stan Lee’s wife, Joan, passed away in July 2017. Stan Lee leaves us at the age of 95. He leaves behind a massive legacy, where his name became a household name, and we have characters that he helped create, that will be remembered by everyone, for a very, very, long time.
I’d like to think, that when he left us, he knew that. And he was at peace with that.
This one is pretty basic, but I still enjoy how it came out. Took a B&W image of Punisher and colored it up.
Figured out why Camtasia was tanking; and I may yet be able to save the Nightcrawler video I did. But I did a really quick and dirty coloring of this Spider-Man vs Jack O’ Lantern image and recorded it. (The video is rendering and will be in another post).
So here’s the Black and white:
Here is my color:
I am really disappointed. I figured this was an easy Nightcrawler to color so I captured it with Camtasia to show how I do what I do (not that it’s super great, but in case someone else wanted to try it; or even better, if someone saw it and could provide tips for enhancing my own skills!) Unfortunately, freaking Camtasia tanked when it imported and corrupted the file. So I will hunt down another easy one to do so folks can get an idea of how I do it.
Before and after presented:
And my colored version:
I want to preface this with; we got there, on Saturday, around 4:30pm (maybe closer to 5pm). The Con was open Saturday, until 7pm.
I am not sure why that matters, but I feel like if you’re reading this, you should have the facts.
Now, the previous versions of LA Comic Con (or back then, Komikaze, then later Stan Lee’s Comic Con, to now being called LA Comic Con) – the Con was always happening and alive. Even when we would leave near the tail end of the Con for the day, there were still people bustling about. And usually at the end of the day, all the Cosplayers gathered in the foyer area for photo opportunities with tons of admirers.
The first thing I noticed when I strolled inside for Saturday, the foyer was pretty empty. I was expecting it to be full of Cosplayers and people taking pictures. There were people and there were cosplayers; but not nearly the volume that’s normally there in previous years. Previous years, you’d have to be careful of not stepping across someone’s photo; this year I walked through there with ease, and no issues of stepping in front of photographers.
You’d think, as someone who is definitely an introvert, this would be a plus, right? Well, as Charles and I stepped into the Convention Center itself; even the people in there were sparse. I thought, “Well, this will be kind of nice.”
But it quickly became evident to both of us (I thought it was just me, until Charles said something) – that something felt… off. As we walked around, we came up to where the Ghostbuster car was and I noticed, the food court was closed; the reason became clear because they had food trucks outside – this was a great move. The food trucks provided a much wider variety of food, at better prices, and way better quality.
But as we continued to walk through; there was no… energy? No excitement? No chemistry? I can’t describe it, exactly – but both Charles and I paused and talked about how there was something odd about the Convention. We then noticed there was no Marvel or DC booth, which is odd at a Comic convention. That’s like watching a Star Wars movie without lightsabers or a Star Trek movie where they don’t have the Enterprise or say “Beam me up” at least once. As we walked around, I considered getting another Lightsaber and figured I’d try to hunt down Ultrasabers (only place I get mine), and they weren’t even there. (I am not sure if that has anything to do with a fiasco that happened at Phoenix Comic Con – but they were at this con last year). Some other company was there that sold lightsabers, and while they looked sturdy enough, just didn’t feel like they had the same feel of Ultrasabers.
As we walked around (and we walked the entire con, very quickly, due to what appeared to be low attendance), there was this big row – where the vendors were separated by like 30 feet, and I told Charles, that it felt like I was at a garage sale, more than a comic con. None of the vendors seemed to have any energy or interest in engaging anyone. Everyone was just sitting in their booth. Even when I approached a few booths, none of the people behind the desk engaged me. The actual comic book selection at this year’s con was so absolutely sparse, it was actually a little on the pathetic side.
Had this been my first time to this Con (granted, first time at it being called the “LA Comic Con”), I probably would not return to it next year. Because I remember writing about the 2016 Comickaze thing – and talking about there were so many people inside and outside on the foyer area, that moving was almost impossible. This year, it was a polar opposite, that seemed to go too far to the other extreme. I remember the Stan Lee Comic Con 2017, feeling like the right balance.
I hope that next year, whatever it is that I felt like was off (because, I don’t know if it was just me and Charles who felt this way) – but I hope they fix it, and that next year, there’s the perfect balance of people (fans), cosplayers, vendors – and that the energy level is back. Because this… this felt depressing.
Corey discovered that Namorita apparently has a special, promotional one-shot series – that neither of us have been able to locate any information on. Corey took to Facebook while I took to Twitter. What’s very cool is that Fabian Nicieza has helped us on our quest to find out more (and I would like a copy – even if it’s a scanned copy – of the book!)
Anyone have any information on this promotional #Namorita one shot? Seems @marvel partnered with @arisefoundation and @MiamiDadePD – and we are looking for a copy of this elusive issue! pic.twitter.com/TVezj1OVxV
— The New Warriors (@New_Warriors) October 12, 2018
— Fabian Nicieza (@FabianNicieza) October 12, 2018